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Tuesday, 13 October 2009

Cultural Studies Review

Cultural Studies Review
Edited by John Frow and Katrina Schlunke


Cultural Studies Review 15.2 (September 2009)
Critical Indigenous Theory, co-edited with Aileen Moreton-Robinson,
is now available for $29.95.

This is the final print edition of Cultural Studies Review. From March 2010, the journal will be available as an open access e-journal, published by the UTSePress. The editors would like to thank contributors and subscribers for their support of CSR and look forward to their continued support in this new phase of the journal’s existence.
Please visit the Cultural Studies Review website
or email the managing editor at
for more details or to place an order.


Current issue

Cultural Studies Review vol. 15 no. 2 September 2009
Critical Indigenous Theory
—co-edited with Aileen Moreton Robinson
Critical Indigenous Theory

Jodi A. Byrd, ‘“In the City of Blinding Lights”: Indigeneity, Cultural Studies and the Errants of Colonial Nostalgia’

Bronwyn Fredericks, ‘“There is Nothing that Identifies Me to that Place”: Indigenous Women’s Perceptions of Health Spaces and Places’

Irene Watson, ‘In the Northern Territory Intervention What is Saved or Rescued and at What Cost?’

Aileen Moreton-Robinson, ‘Imagining the Good Indigenous Citizen: Race War and the
Pathology of Patriarchal White Sovereignty’

Chris Andersen, ‘Critical Indigenous Studies: From Difference to Density’

Brendan Hokowhitu, ‘Indigenous Existentialism and the Body’

Robert Warrior, ‘Native American Scholarship and the Transnational Turn’
Essays

Nikos Papastergiadis, ‘Wog Zombie: The De- and Re-Humanisation of Migrants, from Mad Dogs to Cyborgs’

Maria Angel, ‘Seeing Things: Image and Affect’

Reviews

Joan Kirkby on Jacques Derrida, Learning to Live Finally: The Last Interview and Linnell Secomb,

Philosophy and Love: From Plato to Popular Culture

Jason Tuckwell on Anna Hickey-Moody and Peta Malins (eds), Deleuzian Encounters: Studies in Contemporary Social Issues

Julie Marcus on Jon Altman and Melinda Hinkson (eds), Coercive Reconciliation: Stabilise,Normalise, Exit Aboriginal Australia

Vicki Grieves on Martin Nakata, Disciplining the Savages, Savaging the Disciplines

Anna Hickey-Moody on Ato Quayson, Aesthetic Nervousness: Disability and the Crisis of
Representation

Holly Randell-Moon on William E. Connolly, Capitalism and Christianity, American Style

Forthcoming
Cultural Studies Review 16.1, March 2010
Rural Cultural Studies: Research, Practice, Ethics
co-edited with Emily Potter, Clifton Evers and Andrew Gorman-Murray,.
Submissions

Cultural Studies Review (formerly The UTS Review) is a refereed journal
published twice a year in March and September. The editors welcome
submissions of essays and innovative writing within the general realm of
cultural studies of between 6000 and 9000 words in length (including all
references). Submissions should be emailed to csreview@unimelb.edu.au

Saturday, 10 October 2009

Berlusconism , Ivory Towers and political engagement as an aristocratic pursuit.




The article I paste at the end of this post is from India News of all press and dates back to 2008 when the current Italian Prime Minister gained back its lost grounds. However how interesting all this still sounds.

It refers to Alexander Stille "Citizen Berlusconi" book,( Stille is a former Italy correspondent and currently a professor of international journalism at
New York's Columbia University, he published his book in 2006 when Berlusconi was already one of the world's most talked-about politicians).

By the way whilst the book was widely available and encountered interest, the documentary with the same title, "Citizen Berlusconi", has been banned in Italy.
( please find here the link to watch it: http://www.youtube.com/watch?v=LhOJc1JBpKI)

This is only one of the many stories that characterise the current situation in Italy: serious and poses dramatic challenges to every Italian but particularly to public intellectuals and artists. Lately some Italians at least, are finally responding in a visible and audible way.

In France it was possible to write a book like "The Meaning of Sarkozy", the first English translation of Badiou's angry meditations after Sarkozy's election, and it was possible for Badiou to be interviewed widely on national television, it was possible to be written about. The "Rat Man", as he calls Sarkozy in the book, did not necessarily lashed out at Badiou, nor did his party.

It has not been so in Italy.
Recently one of the most outspoken and intelligent Italian journalists, Santoro has risked to have his successful current affairs analysis program, Anno Zero, not just questioned but shut down by the Italian RAI and more menacingly one of his main collaborators , Ruotolo, has received credible death threats on the 6/10/2009( three groups have already formed on Facebook to support him with a total of over 15.000 people in only 4 days).

I guess the time has come for Italian and not only Italian, intellectuals to begin systematically addressing the void that indeed calls for theorizing and therefore for a presence that is just not occurring now.

Lucy Wandham -again of all references- writes in another conservative journal, New Statesman,that Badiou's book reveals his " rather aristocratic tastes, combined with his passion for equality",and that this leads Badiou " to an inevitably quixotic conclusion: forget elections, forget direct action, just hold on to the Platonic idea of revolution, "the communist hypothesis".

I have been accused to have locked myself in a contraddiction by founding the type of non profit organization I have founded and to be pursuing a rather aristicratic exercise with it.

The reality is that if engaging in society has become an aristocratic exercise, than the sinister alternative is to stay still and aloof,( ironically the old fashioned stereotype for aristocracy)and possibly alone, but-attention- well kneeding within the doughy mass, hypnotised by media and mass culture and as immobile as possible.
This surely is the fluidity citizens Sarkozy and differently Berlusconi want to see running. Well what about launching a rare stance?

ARTICLE

'Berlusconism' fast becoming a universal phenomenon
Rome, April 3 (DPA) Most analysts expect Prime Minister Silvio Berlusconi to meet defeat in Italy's
April 9-10 general election. Even so, 'Berlusconism' is alive and well and no country should feel
entirely immune from it, an American journalist and author warns in his latest book, tracing the life of
the media mogul-turned-premier.
Alexander Stille, a former Italy correspondent and currently a professor of international journalism at
New York's Columbia University, has published a new book on one of the world's most talked-about
politicians titled 'Citizen Berlusconi'.
The book retraces the life and achievements of Berlusconi, from the uncertain origins of his $12
billion fortune to his controversial performance as prime minister over the past five years.
While foreigners often tend to brush off the Berlusconi phenomenon as 'folkloristic' - by focusing on
his recent promise to give up sex or his tendency to compare himself to the likes of Jesus Christ or
Napoleon - Stille argues that it would be wrong to dismiss Italy's premier as an isolated clown on the
world's political scene.
'At first glance, Berlusconi may appear a bizarre, incomprehensible and strictly Italian phenomenon,'
Stille writes in his book, 'but if looked at more closely, he appears as an avant-garde figure, who
embodies many of the main trends present in modern-day politics.'
These include money, control of the media, celebrity status and an uncanny ability to be liked. In
fact, Stille believes there are signs of Berlusconism creeping in several other countries around the
world, including Venezuela, Russia and the US.
'Take (US Vice President) Dick Cheney, in spite of the fact that he represents the exact same
policies of George W. Bush, he could never have been elected president. Why? Because Cheney is
unpleasant while Bush is seen as a nice guy,' remarks Stille.
Research into recent US elections has shown that the nice candidate, the one who comes across
better on television, wins virtually every time.'
In fact, the roots of Berlusconism can be traced back to the US of the 1980s, when former
Hollywood actor Ronald Reagan stormed to power thanks to his charm and fame.
The other essential ingredient of Berlusconism, control over the media, can be found in the
modern-day Russia of Vladimr Putin.
'What is the first thing that Putin does after winning the elections? He uses the power of the state to
intimidate the oligarchs, he kicks out independent journalists, takes over the television stations and
then holds an election with almost no critical voices heard,' says Stille.
Another follower of Berlusconism is Hugo Chavez of Venezuela, who Stille says has 'changed
Venezuelan laws and the constitution to gain more power, intimidates the opposition media and has
his own television programme, Alo' Presidente! (Hello, President!), in which he is a combination of
TV host and prime minister.'
Page 1/2
© Copyright 2009 IndiaeNews.com. All Rights Reserved.
Berlusconi's 'post-modern' style of politics relies on another key factor: an ability to communicate
easily and directly to all, regardless of their culture or education.
'Berlusconi communicates in a human, appealing way. While others use a vague, abstract language
that is difficult to follow, Berlusconi utters short, easy to understand concepts like 'meno
tasse per tutti' ('less taxes for all'),' Stille notes.
So what are the signs that a country may be at risk of Berlusconism?
'The most obvious one is lack of pluralism in media ownership. The other is the absence of checks
and balances and conflict of interest rules that prevent, say, a media owner from running for office.'
( © IANS / India eNews)

Friday, 20 March 2009

The Menzies Centre Events in London


The Menzies Centre's program of events continues this Wednesday when we are delighted to present a Monash-Menzies Public Policy Seminar:

Australia: Cultural work and dis/enchantment in the public realm

EMILY POTTER (University of Melbourne) ‘Making Water Public’

LISA SLATER (RMIT University Melbourne) ‘Beyond Celebration’

(Further details below)

Time: 5.15pm

Date: Wednesday 25 March 2009

Venue: Menzies Centre, Australia Centre, Corner Strand and Melbourne Place, London WC2B 4LG

Cost: Free
Please rsvp to menzies.centre@kcl.ac.uk

Further details:

These papers will explore the emergence of public life in local situations of cultural – or perhaps naturecultural – work in Australia, with attendant ethics, responsibilities and engagements. In the post-industrial West, instrumentalist approaches to public life dominate, with cultural work commonly positioned as supplementary to the frameworks – both material and value-based – that give rise to the public realm. These papers will attempt to reorient this understanding. It will propose that, rather than following on from material reality and the ethical positions that inform this, cultural work has the capacity to produce public life. The two papers find their ground in what is excluded from the instrumentalism of Australian bureaucracy and quantitative approaches to knowledge – an instrumentalism of disenchanted reality. This is the terrain of cultural work: ephemera, bodily affects, sensations, emotions, and the entanglements of human and non-human lives. The local situations discussed mobilise a dialectic that instrumentalism alone cannot accommodate – one in which enchantment and disenchantment operate together to generate new ecologies of artful politics.

Emily Potter

‘Making Water Public’

Australia faces a dire water future: drought is chronic in many areas of the country, while climate change threatens to intensify the problem. In South-Eastern regions reliant on agriculture, especially, communities are faced with significant social, economic and psychic stress. In response, governments suggest water audits and buy-back schemes; techno-scientific discourse offers a continuation of disenchanted logic from the colonisation of Australia to today. Is this the only approach to Australian water futures? This paper suggests that the question of making water public is central to the remediation of drought effected environments and communities. It will discuss two case studies in which water is assembled in various arrangements of nature and culture – a creative research project titled Mallee, and the multiple lives of a water bottle – to argue that with the re-collection of water in the terrain of cultural work, water becomes productive of public life itself.
Bio:
Emily Potter is an Australian Research Council Postdoctoral Research Fellow in Architecture, Building and Planning at the University of Melbourne. Her current research focuses on public poetics, sustainable place-making and more-than-human modes of inquiry. In 2007 she co-edited a collection of writings on water cultures and communities, Fresh Water: New Perspectives on Water in Australia (Melbourne University Publishing).


Lisa Slater:

‘Beyond Celebration’

In contemporary Australia public discourse about Indigeneity in general and remote Indigenous communities in particular has been circumscribed by a climate of crisis. This has awakened mainstream Australia to vast inequalities, but the discursive frame continues to disable, or severely limit, an engagement with Indigenous lived experience and values. This paper is a part of a larger research project that examines the immediate and longer-term impacts of selected Australian Indigenous cultural festivals on community wellbeing. The paper will argue that wellbeing, health or healthy body, is not a neutral concept, but as much as it is highly ethical project so it is political. It asks what role do these socio-cultural spaces play in supporting or enabling Indigenous wellbeing and what might festivals tell us about what makes for a 'good life'?

Bio:
Lisa Slater joined the Globalism Research Centre, RMIT University, Melbourne, Australia, in 2007 where she is the primary researcher on an Australian Research Council Linkage project (with the Telstra Foundation), which examines the relationship between Indigenous Australian Festivals and the health and wellbeing of youth and community.

Recent research: Indigenous festivals; Indigenous-settler relations in Australia; postcolonial cultural production; theories and senses of belonging and home in contemporary Australia. She has been published in, Cultural Studies Review, Continuum: Journal of Media and Cultural Studies, Meanjin, The Journal of Commonwealth Literature and Borderlands e-journal.

World Leaders Barometer

I found this now obsolete Barometre des World Leaders ( France 24 News site) and could not help thinking of Obama and of...Fanon. It is some time that I contemplate launching myself in a reflecton looking at the ( arguable) post-colonial making of Obama and of Fanon's ghost and the way I can understand both in light of the new " era".
It is a rather concised posting but would love to invite you all to write what you think.
As far as my scattered thoughts style of contribution I continue with just this consideration.
Last night in Italy a huge knot came to the surface again to do with race and migration: the Prato- Chinese attriction zone hit the national news and exposed in the current poverty stricken Europe the wave of anger and intolerance that is palpable.
I turn and turn but cannot quite see where the debate is , where one can truly 'attack' the core of the issues that torment Italians, and perhaps many other Europeans now.

The Chinese, Obama, Fanon, post war, post modern, post Prodi, Berlusconi-held Italy: I see a strong thread to get hold of.

Wednesday, 11 March 2009

Poem by Mireille Astore


I love this poem. What do we mean by 'loving a poem'? It makes sense of what I have seen this morning of what it is unexplicable otherwise.
But because I am a generous and fair person (!) I share here with you Mireille Astore's presence on the web ( see link below) and a brief outline of her work.
You see : I want to celebrate artists while they are here with us!

Mireille Astore is a multi disciplinary artist with a background in the visual and literary Arts, the Sciences, art administration as well as policy development. She has been publishing and exhibiting for over 14 years and her areas of expertise are Photomedia, Installation Art, Art theory, Art Administration and Information Literacy. She is currently undertaking a scholarship funded PhD candidature in Contemporary Arts at the University of Western Sydney.
contact - website: http://mireille.astore.id.au/


© Mireille Astore 2003-2009

My bones

On your soil
the earth swallows me
then spits out my bones
one by one.

A book that will make people discuss..finally machism in language


Reutner, Ursula / Schwarze, Sabine (éds)
Le style, c'est l'homme
Unité et pluralité du discours scientifique dans les langues romanes
Series: Sprache - Identität - Kultur Vol. 4
Year of Publication: 2008
Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2008. XIV, 344 p., 24 dépliants
ISBN 978-3-631-57964-0 br.

A new dead immigrant-Naples, 11 March 2009

This morning a friend posted on her Facebook page that in Naples a Sri Lankan man had died because he had taken an incorrect dose of Aulin a medication he had hoped would bring his fever down. He died in hospital. I had read this poem this morning by an un-named asylum seeker and rap-poet in Melbourne. What are we to do?


I am an illegal alien
Don't know where to go
Or where to stay
Don't even own a bed!
No future ahead

Being homeless made me careless
Too much stress!
Can't even buy my girl a dress.
Don't feel like a man
And I am broke 24/7!

God! I hope there is something better
Waiting for me in Heaven.
Being an Asylum Seeker
And always waiting
For my papers to be accepted!

Even though back home
I am most wanted
Sometimes I feel like I'm grounded from being
safe and peace minded.

But thanks to Asylum Seeker Project!
Because of their help
They made me forget
About how people can be so cruel
And ignorant!

But it is O.K.
I am a strong Man
Doing the best I can.
Mama feel my pain.
One day, the rain will end
And a light of sunshine
Will shine on top of my head.