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Friday, 20 March 2009

The Menzies Centre Events in London


The Menzies Centre's program of events continues this Wednesday when we are delighted to present a Monash-Menzies Public Policy Seminar:

Australia: Cultural work and dis/enchantment in the public realm

EMILY POTTER (University of Melbourne) ‘Making Water Public’

LISA SLATER (RMIT University Melbourne) ‘Beyond Celebration’

(Further details below)

Time: 5.15pm

Date: Wednesday 25 March 2009

Venue: Menzies Centre, Australia Centre, Corner Strand and Melbourne Place, London WC2B 4LG

Cost: Free
Please rsvp to menzies.centre@kcl.ac.uk

Further details:

These papers will explore the emergence of public life in local situations of cultural – or perhaps naturecultural – work in Australia, with attendant ethics, responsibilities and engagements. In the post-industrial West, instrumentalist approaches to public life dominate, with cultural work commonly positioned as supplementary to the frameworks – both material and value-based – that give rise to the public realm. These papers will attempt to reorient this understanding. It will propose that, rather than following on from material reality and the ethical positions that inform this, cultural work has the capacity to produce public life. The two papers find their ground in what is excluded from the instrumentalism of Australian bureaucracy and quantitative approaches to knowledge – an instrumentalism of disenchanted reality. This is the terrain of cultural work: ephemera, bodily affects, sensations, emotions, and the entanglements of human and non-human lives. The local situations discussed mobilise a dialectic that instrumentalism alone cannot accommodate – one in which enchantment and disenchantment operate together to generate new ecologies of artful politics.

Emily Potter

‘Making Water Public’

Australia faces a dire water future: drought is chronic in many areas of the country, while climate change threatens to intensify the problem. In South-Eastern regions reliant on agriculture, especially, communities are faced with significant social, economic and psychic stress. In response, governments suggest water audits and buy-back schemes; techno-scientific discourse offers a continuation of disenchanted logic from the colonisation of Australia to today. Is this the only approach to Australian water futures? This paper suggests that the question of making water public is central to the remediation of drought effected environments and communities. It will discuss two case studies in which water is assembled in various arrangements of nature and culture – a creative research project titled Mallee, and the multiple lives of a water bottle – to argue that with the re-collection of water in the terrain of cultural work, water becomes productive of public life itself.
Bio:
Emily Potter is an Australian Research Council Postdoctoral Research Fellow in Architecture, Building and Planning at the University of Melbourne. Her current research focuses on public poetics, sustainable place-making and more-than-human modes of inquiry. In 2007 she co-edited a collection of writings on water cultures and communities, Fresh Water: New Perspectives on Water in Australia (Melbourne University Publishing).


Lisa Slater:

‘Beyond Celebration’

In contemporary Australia public discourse about Indigeneity in general and remote Indigenous communities in particular has been circumscribed by a climate of crisis. This has awakened mainstream Australia to vast inequalities, but the discursive frame continues to disable, or severely limit, an engagement with Indigenous lived experience and values. This paper is a part of a larger research project that examines the immediate and longer-term impacts of selected Australian Indigenous cultural festivals on community wellbeing. The paper will argue that wellbeing, health or healthy body, is not a neutral concept, but as much as it is highly ethical project so it is political. It asks what role do these socio-cultural spaces play in supporting or enabling Indigenous wellbeing and what might festivals tell us about what makes for a 'good life'?

Bio:
Lisa Slater joined the Globalism Research Centre, RMIT University, Melbourne, Australia, in 2007 where she is the primary researcher on an Australian Research Council Linkage project (with the Telstra Foundation), which examines the relationship between Indigenous Australian Festivals and the health and wellbeing of youth and community.

Recent research: Indigenous festivals; Indigenous-settler relations in Australia; postcolonial cultural production; theories and senses of belonging and home in contemporary Australia. She has been published in, Cultural Studies Review, Continuum: Journal of Media and Cultural Studies, Meanjin, The Journal of Commonwealth Literature and Borderlands e-journal.

World Leaders Barometer

I found this now obsolete Barometre des World Leaders ( France 24 News site) and could not help thinking of Obama and of...Fanon. It is some time that I contemplate launching myself in a reflecton looking at the ( arguable) post-colonial making of Obama and of Fanon's ghost and the way I can understand both in light of the new " era".
It is a rather concised posting but would love to invite you all to write what you think.
As far as my scattered thoughts style of contribution I continue with just this consideration.
Last night in Italy a huge knot came to the surface again to do with race and migration: the Prato- Chinese attriction zone hit the national news and exposed in the current poverty stricken Europe the wave of anger and intolerance that is palpable.
I turn and turn but cannot quite see where the debate is , where one can truly 'attack' the core of the issues that torment Italians, and perhaps many other Europeans now.

The Chinese, Obama, Fanon, post war, post modern, post Prodi, Berlusconi-held Italy: I see a strong thread to get hold of.

Wednesday, 11 March 2009

Poem by Mireille Astore


I love this poem. What do we mean by 'loving a poem'? It makes sense of what I have seen this morning of what it is unexplicable otherwise.
But because I am a generous and fair person (!) I share here with you Mireille Astore's presence on the web ( see link below) and a brief outline of her work.
You see : I want to celebrate artists while they are here with us!

Mireille Astore is a multi disciplinary artist with a background in the visual and literary Arts, the Sciences, art administration as well as policy development. She has been publishing and exhibiting for over 14 years and her areas of expertise are Photomedia, Installation Art, Art theory, Art Administration and Information Literacy. She is currently undertaking a scholarship funded PhD candidature in Contemporary Arts at the University of Western Sydney.
contact - website: http://mireille.astore.id.au/


© Mireille Astore 2003-2009

My bones

On your soil
the earth swallows me
then spits out my bones
one by one.

A book that will make people discuss..finally machism in language


Reutner, Ursula / Schwarze, Sabine (éds)
Le style, c'est l'homme
Unité et pluralité du discours scientifique dans les langues romanes
Series: Sprache - Identität - Kultur Vol. 4
Year of Publication: 2008
Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2008. XIV, 344 p., 24 dépliants
ISBN 978-3-631-57964-0 br.

A new dead immigrant-Naples, 11 March 2009

This morning a friend posted on her Facebook page that in Naples a Sri Lankan man had died because he had taken an incorrect dose of Aulin a medication he had hoped would bring his fever down. He died in hospital. I had read this poem this morning by an un-named asylum seeker and rap-poet in Melbourne. What are we to do?


I am an illegal alien
Don't know where to go
Or where to stay
Don't even own a bed!
No future ahead

Being homeless made me careless
Too much stress!
Can't even buy my girl a dress.
Don't feel like a man
And I am broke 24/7!

God! I hope there is something better
Waiting for me in Heaven.
Being an Asylum Seeker
And always waiting
For my papers to be accepted!

Even though back home
I am most wanted
Sometimes I feel like I'm grounded from being
safe and peace minded.

But thanks to Asylum Seeker Project!
Because of their help
They made me forget
About how people can be so cruel
And ignorant!

But it is O.K.
I am a strong Man
Doing the best I can.
Mama feel my pain.
One day, the rain will end
And a light of sunshine
Will shine on top of my head.

Tuesday, 24 February 2009

Bush Fires in Oz national day of mourning -Climate change


Black is all I see
Where green and gold once cloaked the land
Where eucalypt and pine did stand
Where man did live and lay his hand
Now black is all I see
Where horses grazed and cattle drank
Where grasses lined the river bank
Where stood a house and water tank
Now black is all I see
There was a town with store and hall
Which proudly stood ‘neath ridges tall
Now nothing moves or lives at all
And black is all I see
There stood a home and there another
Where lived a daughter, father , mother
A sister, cousin, niece or brother
Now black is all I see
Our nation grieves and holds them tight
Throughout the darkness of the night
Till daybreak brings an ashy light
And black is all I see
“Poor fella, my country”
N.D. 11 FEB 2009



Australian expert says bushfires caused by "climate change"
+ -
18:07, February 19, 2009

An Australian climate change expert said on Thursday the devastating bushfires in Victoria were the "fires of climate change."

Climate Institute chief executive John Connor said climate change was the cause of the bushfires.

"In our view what we have seen in Victoria, with such devastating ferocity, are the fires of climate change," Australian Associated Press quoted Connor as saying in Melbourne.

"The reality for firefighters and rural communities is that the rules that applied in the past to fighting and surviving bushfires have changed forever because of our warming planet," he added.

Victorian Premier John Brumby has already pointed to climate change as a factor in the fires, saying the climate is becoming more extreme.

But most experts and conservation groups have been more circumspect, saying climate change will cause more bushfires but it had not necessarily caused the Victorian blazes.

Sunday, 8 February 2009

michelangelo pistoletto


MICHELANGELO PISTOLETTO “Buddha”, 2008
scultura dorata del Buddha, specchio | golden Buddha sculpture, mirror

Galleria Continua
è lieta di annunciare l’evento speciale

MICHELANGELO PISTOLETTO
INCONTRO CON L'ARTISTA


Mercoledì 11 febbraio 2009, ore 18

al CCCS - Centro di Cultura Contemporanea Strozzina - Firenze

L'artista presenterà al pubblico il proprio percorso artistico e i lavori più recenti creati in occasione della mostra che inaugurerá il prossimo sabato 14 febbraio presso la Galleria Continua di San Gimignano.
L'incontro fa parte di una nuovo formato ideato dal CCCS in collaborazione con le diverse realtà del contemporaneo presenti in Toscana. Il CCCS diventa piattaforma d'incontro e di dibattito con artisti di fama internazionale temporaneamente presenti sul territorio.
Michelangelo Pistoletto è uno dei protagonisti dell'arte italiana e internazionale degli ultimi cinquant'anni. L'importanza del suo lavoro è riconosciuta in tutto il mondo e le sue opere sono presenti nelle collezioni museali più prestigiose.
La discussione si svolgerà in lingua italiana.
L’accesso sarà consentito previa presentazione del biglietto multiplo CCCS.
Si ringrazia Galleria Continua di San Gimignano per la gentile collaborazione.

www.strozzina.org
www.palazzostrozzi.org

- - - - - - -

English version

Galleria Continua
is delighted to announce the special event

MICHELANGELO PISTOLETTO
ARTIST TALK

Wednesday 11 February 2009, h 6 pm

at CCCS - Centro di Cultura Contemporanea Strozzina - Firenze

The artist will be retracing his artistic development and presenting his most recent works, created for an exhibition that he will be opening at the Galleria Continua in San Gimignano on Saturday 14 February 2009.
The encounter is part of a new format devised by the CCCS, working in conjunction with the various contemporary artistic strains active in Tuscany.
The CCCS is fast turning into a forum for encounter and debate with the many international artists who temporarily reside in the region.
Michelangelo Pistoletto is one of Italy’s most well known artists, internationally acknowledged as one of the main representatives of the Italian Arte Povera. His work mainly deals with the subject matter of reflection and the unification of art and everyday life in terms of a Gesamtkunstwerk.
The debate will be held in English. A CCCS multiple ticket will be required to gain admission.
Many thanks to Galleria Continua in San Gimignano for their kind cooperation.

www.strozzina.org
www.palazzostrozzi.org